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The C500 is certainly a daunting camera from a basic consumer perspective, but compared to most bulky professional camcorders we found it easy to wrap our head around.
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The camera has multiple 4K recording modes, each designed to fit into existing cinema and television standards, and its inclusion of various 2K recording options helps people ease their way into a full transition over to 4K. That being said, Canon clearly put its energy in making 4K recording accessible to users of the C500. Using new technology is never easy, so it's likely there will be a few bumps in the road should you choose to switch over to a 4K workflow. There's also an auto white balance mode and two white balance presets: daylight and tungsten. There's a dedicated white balance button on the side of the C500 and the camera has two custom Kelvin settings that can be stored in the camera's memory. Most of these functions have their own dedicated button on the left side of the camera. The camera is also equipped with professional-grade exposure assistance controls, including zebra patterns, waveform monitors, RGB parade display, spot display, and a vectorscope display.
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The camera has the same ISO range of ISO 320 to ISO 20,000 that was featured on the C300, and Canon's Log Gamma recording ensures the ability of offering a 12-stop exposure latitude in your recordings. With the C500, you have complete control over exposure in the form of shutter speed, ISO settings, mechanical ND filters, as well as aperture controls (based on what lens you're using). Read more about the advantages and disadvantages of different media types. The C500 also has an SD card slot for storing preset data and saving various settings. This solution is expensive-any camera or camcorder with multiple SDI terminals is very pricey-but it makes more sense than the quad SD card recording put in place with the JVC GY-HMQ10 4K camcorder. To store the uncompressed RAW 4K and 2K videos captured by the C500, you must use an external recording system and connect it to the camera via its dual 3G SDI terminals. CF cards can't be used to store 4K video recorded by the camcorder, but they will simultaneously record a Full HD proxy video for editing 4K content with an offline non-linear editing system. Like the C300, the C500 has two Compact Flash memory card slots on the back of the camera. Additionally, you can simultaneously record an MPEG-2 HD proxy video at 50Mbps to CF cards inserted in the C500's dual memory card slots. There are also dual uncompressed HD-SDI outputs that support live monitoring. The 2K shooting modes have the option for 10-bit or 12-bit recording.įor all these RAW 4K recording settings you can output the video using the camera's 3G-SDI terminal. One allows for 2048 x 1080 recording, while the other records traditional 1920 x 1080 Full HD video.

The camera offers the same DCI and QFHD production standard options for recording 2K video. The camera can utilize frame rates from one to 60fps in the full res record modes, and you can record up to 120fps using the 4K Half Raw settings. The frame rate flexibility for recording video on the C500 is astounding. Read more about the advantages and disadvantages of different compression types. Both modes also offer the ability of recording what Canon calls a 4K Half Raw video, where the vertical resolution is limited to 1080 pixels. Both modes output the 4K video as a 10-bit uncompressed RAW data stream with no de-Bayering.

There's the DCI production standard that records at a 4096 x 2160 resolution with a 1.896:1 aspect ratio, or there's the TV-centric Quad Full HD production standard that records at a 3840 x 2160 resolution and a 1.78:1 aspect ratio. To make the camera more versatile, Canon includes to options for recording 4K. In order to record 4K video, the EOS C500 deconstructs the Bayer color sampling into four video components RGGB 4:4:4:4, and each are captured at a 2048 x 1080 (or 1920 x 1080) resolution. As we saw with the JVC GY-HMQ10, this process can be very confusing to understand because it is so new.
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As with all new "recording formats", companies like Canon must deal with how to compress and capture this video. The ability to record 4K video is the big story here, and it is likely to be the big story with cameras and camcorders over the next few years as well.
